b.1992, Israel

Education

2017 – 2019 Ceramics Associate Program, JamFactory Contemporary Craft and Design, South Australia

2014 Bachelor Visual Arts (Ceramics), University of South Australia

Employment and Professional Experience

2023 Invited Speaker, JamFactory Wednesday Talks, UniSA, Australia

2017 – 2020 Ceramics Teacher, JamFactory Craft and Design, SA, Australia

2018 - 2019 Curatorial and Arts Administration, JamFactory Craft and Design, SA, Australia

Selected Exhibitions

2024 Living Treasures, Australian Design Centre, NSW, Australia

2023 The Moon She Calls to Her Daughters, Curatorial and Co, NSW, Australia

2023 Attention is the Beginning of Devotion (Solo), JamFactory Collect, SA, Australia

2021 Wonderstruck, an exhibition by One Two One Two, Melbourne Design Week 2021, Vic, Australia

2020 Landskein, Curatorial and Co, NSW, Australia

2019 Showcase #24: Regeneration, Shepparton Art Museum, VIC, Australia

2019 Endemic Earth, Kingborough Council Art Space, TAS, Australia

2019 Quintessence, Saint Cloche, NSW, Australia

2019 Argillaceous Relations, Mr Kitly, VIC, Australia

2018 Generate, JamFactory, SA, Australia

2018 Shiro Oni Residency Exhibition, Kinuya Building, Onishi, Japan

2018 Converge, Fisher Jeffries, SA, Australia

2017 The Design Files Open House, Collingwood Arts Precincts, VIC, Australia

2016 Body of Evidence, Adelaide Convention Centre, SA, Australia

2015 Disembodied, FELTspace Art Gallery, SA, Australia

Acquisitions

2020 Shepparton Art Museum, Permanent Collection

Residencies

2019 The Ghan Artists in Residence 2019, Darwin-Adelaide, Australia

2018 Shiro Oni Residency, Onishi, Japan

Grants and Awards

2023 Adelaide Parklands Art Prize (Finalist)

2020 Arts SA Creative Endeavour Grant Recipient

Selected Publications/Press

2021 Journal of Australian Ceramics, Vol. 60 No. 2 p.132, I Make To Connect – by Kerryn Levy – July 2021

2019 Milk Decoration: Issue 6 : Ceramique, terre d’expression, p.97 - April 2019

2018 Journal of Australian Ceramics, The Function Issue, Vol. 56 No. 3: Glass less full? Depends how you use it - by Lara Merrington - Nov. 2017